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Some have argued that the feminist movement itself has contributed to the problem of the sexual objectification of women by promoting "free" love (i.e.
see objectification of women taking place in the sexually oriented depictions of women in advertising and media, women being portrayed as weak or submissive through pornography, images in more mainstream media such as advertising and art, stripping and prostitution, men brazenly evaluating or judging women sexually or aesthetically in public spaces and events, such as beauty contests, and the presumed need for cosmetic surgery, particularly breast enlargement and labiaplasty.
Objectification in the media can range from subtle forms, such as the lack of main female characters, to very explicit forms such as highly sexualized dialogue and provocatively dressed female characters.
In Alexandre Guillaume Mouslier de Moissy's 1771 play The True Mother (La Vraie Mère), the title character rebukes her husband for treating her as merely an object for his sexual gratification: "Are your senses so gross as to look on these breasts – the respectable treasures of nature – as merely an embellishment, destined to ornament the chest of women?
" The issues concerning sexual objectification became first problemized during the 1970s by feminist groups.
Men in the media are especially pressured to take part in steroid use in order to meet the standard of beauty set by body evaluation.